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The Man in Black by John-Mark Gleadow

$495.00$1,495.00

Limited Edition Gallery Wrapped Canvas

Description

The Man in Black by John-Mark Gleadow

Image Size:  24″ x 7″
Limited Edition Gallery Wrapped Canvas Giclee in Publisher Proof, Artist Proof and Signed & Numbered editions.  Publisher Proof and Artist Proof are hand embellished by the artist.

Artist Statement

I’m thrilled to begin this “series within a series”, as it’s an exciting new way for collectors to create their own “bookshelves” of my work.

Phil Smith, my friend and fellow artist, made the suggestion at a recent show I did with him at his gallery in Florida. There was no better subject for me to inaugurate this series of 24” x 7” originals with than Johnny Cash. As important as music has been within my Bibliotheque Series, it’s incredible to me that this is the first time I’ve touched on the Country Music genre.

Susan, my wife, loves Country and has given me an appreciation for it over our 18 years together. We’ve seen Carrie Underwood and Allen Jackson, along with many others live in concert. But Johnny Cash is legendary. There are songs of his I go back to again and again, including “The Wanderer”, “Were You There” and “Ring of Fire”. I also love the music of The Highwaymen, a supergroup to which Cash was integral. Then there’s the iconic love story of Johnny and June.

I hope you feel the same as I do, that I caught something of his spirit in the look he’s giving us in “The Man in Black”. 

This painting can be left unframed or would look great in a floater frame.

 CV Art and Frame has access to a comprehensive collection of artwork by this artist. For additional details, please contact us at phone #: 317-873-2976 or email: info@cvartandframe.com


John-Mark Gleadow

View ARTWORK HERE

Born in 1976, John-Mark Gleadow had already achieved gallery representation by the time he received his Bachelor of Fine Arts degree from the University of Delaware in 1999. Renowned for his skill as a draftsman and ability for creating hyperrealstic oil paintings, he has gone on to garner various awards, solo shows and grants and has been met with commercial success in the numerous galleries carrying his work from coast to coast in the United States and beyond.

Early influences on the young artist were Rene Magritte, Salvador Dali and VerMeer. “I fell in love with the beauty of their imagery and have always been in awe of their amazing gift for depicting reality, or their version of it. My desire is that my abilities would be used for creating works that are beautiful and that, when viewed as a whole, convince the viewer not only that what they’re seeing is real but that there’s truth in it. For that reason I find strict photorealism a somewhat unsatisfying undertaking.”

Beginning with still lives, John-Mark’s paintings soon came to have portraiture as their backbone. With his mastery of the medium his trademark use of vibrant colors has come to the fore – an element of his work made the more fascinating due to his having to cope with his own colorblindness. His most recent series has fused the centuries old theme of painting book spines with his love of doing figurative work and has allowed him to broaden the thematic horizons of his paintings. “The wonderful thing about working in this vain is how limitless the subject matter can be and how it makes for a logical way of juxtaposing entirely different topics, producing a work of art that’s beautiful as a whole, not just aesthetically, but thematically as well.”

Additional information

edition

AP, PP, SN

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